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Actresses who appeared with Terry Gilliam on screen:

Cameron Diaz
Uma Thurman
Sian Thomas
Christina Ricci
Jennifer Tilly
Sarah Polley
Ellen Barkin
Shelley Duvall
Jane Leeves
Katherine Helmond
Jenette Goldstein
Connie Booth
Kim Greist
Tane McClure
Jennifer Elise Cox
Janet McTeer

Terry Gilliam
Birthday: November 22, 1940

Birth Place: Minneapolis, Minnesota, USA
Height: 5' 9"

Below is a complete filmography (list of movies he's appeared in) for Terry Gilliam. If you have any corrections or additions, please email us at corrections@actorsofhollywood.com. We'd also be interested in any trivia or other information you have.



For most of Terry Gilliam's early career, fans of the popular comedy show Monty Python's Flying Circus assumed that he was British, since Python's other five members were natives of Britain. But the innovative animator and future director, who spent more time behind the scenes than in front of the camera, was actually the troupe's only American member. Born in Minneapolis, Minnesota, on November 22, 1940, Gilliam was briefly employed by Mad Magazine as a writer/illustrator before he emigrated to England in 1967. Soon after he arrived in the U.K., he began working on Do Not Adjust Your Set, a popular children's TV show, developing his eccentric animated cartoons, which put into motion a hodgepodge of images, including photographs, cutouts from magazines, and famous works of art. Gilliam's contributions to the show were geared more toward adults, as his surrealistic stream-of-consciousness segments, drenched in black humor, were beyond the grasp of most children.In 1969, Gilliam was asked to join the absurdist comedy troupe Monty Python. In addition to writing for Monty Python's Flying Circus, Gilliam also contributed his animated interludes, for which he was pretty much left to his own devices; the other Pythons just told him how much time he needed to fill and never gave him any narrative direction. Gilliam began offering his iconoclastic vision to moviegoers with the comedy troupe's first original film, Monty Python and the Holy Grail (1975), which he co-directed with fellow Python Terry Jones. An instant cult classic, the movie contained all the requisite Python elements: absurdist humor, self-referential parody, and extremely quotable dialogue. The following year, Gilliam had his first outing as a solo director with Jabberwocky (1976). Based on the poem by Lewis Carroll, the film featured a medieval setting similar to that of Holy Grail and starred Pythonite Michael Palin. Along with Python's brand of irreverent humor, the film featured glimmers of the visual resplendence that would become the director's trademark. But critics found it awkward and repetitive, and audiences largely stayed away. Following Jabberwocky's relative failure, Gilliam regrouped with his fellow Pythonites, co-creating The Life of Brian, the tale of a man with the misfortune of being confused with Jesus Christ. He left the directing duties to Terry Jones, focusing on animation, screenwriting, and acting. Gilliam returned to directing with Time Bandits (1979), a surreal journey through history led by a small boy and several dwarves. Bearing many similarities to Jabberwocky, Time Bandits relied less on repetition and moved the audience more briskly from one scene to the next. It did well at the box office and put Gilliam in the ranks of directors to watch.After co-directing with Terry Jones the third and final Python film, Monty Python's the Meaning of Life (1983), Gilliam made what many people consider his masterpiece, the dystopian satire Brazil (1985). Instead of journeying back to the Middle Ages, Gilliam boldly predicted a retro-1930s future of anonymous office drones commanded by an all-powerful computer. Blindingly imaginative, the film starred Jonathan Pryce as Sam Lowery, who attempts to escape the stifling bureaucratic system by fantasizing about being a superhero, and later by actually battling the powers-that-be in his own cowardly fashion. Consistently blurring the line between fantasy and reality and uncompromising in its surreal eccentricity, Gilliam's masterwork has been called Orwellian, Kafkaesque, and Luddite. A failure at the box office, Brazil has made up for that disappointment with its cult status. In addition to critical praise and a Los Angeles Film Critics award for Best Film, Gilliam received an Oscar nomination for Best Original Screenplay.It was four years before Gilliam stepped behind the camera again, for The Adventures of Baron Munchausen (1989). Returning to historical fantasy, Gilliam tells the unlikely tales of the title character as though they really happened. The Baron explores the inside of a volcano, takes a hot air balloon to the moon, gets swallowed by a whale, and quells a war that he himself started. Munchausen's stories were less well known to most Americans than to audiences in Britain, where the film won British Academy Awards for Best Production Design, Best Makeup, and Best Costume Design.Gilliam followed Munchausen with his most accessible work to date, 1991's The Fisher King. Foregoing much of his usual ornate visual style, the director focused on characters rather than flashy spectacle; the relationships among a depressed former DJ (Jeff Bridges), his enabling girlfriend (Mercedes Ruehl, in an Oscar-winning performance), and a homeless man (Robin Williams) who saves him from suicide are intertwined in a riveting, funny, and ultimately heart-warming way. Gilliam balances humor, pathos, and story-telling, while avoiding mawkishness. He received a Golden Globe nomination for Best Director, and the movie won the Silver Lion Award at the Venice Film Festival.Gilliam returned to the director's chair in 1995, achieving his biggest box office hit with the science fiction epic 12 Monkeys. Starring Bruce Willis, Madeleine Stowe, and Brad Pitt (in an Oscar-nominated performance), the movie tells the story of a prisoner from the future sent back in time to save the world from a catastrophic virus. But the scientists of 2035 haven't quite mastered the art of time travel, and they accidentally send Bruce Willis' character back to 1990 instead of 1996. The film was a critical and commercial success despite its hard-to-follow plot, allowing Gilliam the freedom to take even more creative risks. His next project, Fear and Loathing in Las Vegas (1998), an adaptation of Hunter S. Thompson's 1971 novel, was the ultimate "trip" movie. Detailing Thompson's drug-addled journey to the gambling capital of the world, it starred Johnny Depp as the author's alter ego, Raoul Duke. The movie was the perfect vehicle for Gilliam to create an alternate universe fueled by the mind-bending substances in which the lead characters freely and plentifully indulge. With melting faces, a lounge full of human-sized lizards, bats flying in the desert, and a demon with breasts on its back, the movie didn't need and didn't really have a plot. Fear and Loathing in Las Vegas was the definition of a love-it-or-hate-it movie.In 2000, the director began working on Good Omens, a comedy/fantasy based on the book Good Omens: or, The Nice and Accurate Prophecies of Agnes Nutter, Witch by Neil Gaiman and Terry Pratchett, a humorous story about the apocalypse. That endeavor fell by the wayside, however, when Gilliam attempted to film his lifelong dream project, The Man Who Killed Don Quixote, in late 2000. From injured actors to faulty props to inclement weather conditions, the million shoot became a textbook example of Murphy's Law, and was shut down despite pleas from the haggard director. In 2003, however, the project found new, unexpected life in Keith Fulton and Louis Pepe's documentary Lost in La Mancha, a comic tale of cinematic defeat. Intended as a "making-of" featurette to be included on the finished film's DVD, the documentary chronicled the morose fate of Gilliam's botched production in all of its painful, hilariously unbelievable glory, and became a minor art-house attraction. Gilliam subsequently fought to buy back the rights to The Man Who Killed Don Quixote in light of all the renewed interest, but it remained to be seen whether the director would get a chance to finish what he started.

Movie Credits
Tideland (2005)
[ Jeff Bridges ][ Brendan Fletcher ]
Education Tips No. 41: Choosing a Really Expensive School (2003)
[ John Cleese ][ Michael Palin ][ Terry Jones ]
It's... the Monty Python Story (1999)
[ Michael Palin ][ Graham Chapman ][ Terry Jones ]
Fear and Loathing in Las Vegas (1998)
[ Johnny Depp ][ Tobey Maguire ][ Benicio Del Toro ][ Frank Sinatra ][ Gary Busey ]
Monty Python & the Quest for the Holy Grail (1996)
[ Michael Palin ][ Graham Chapman ][ Terry Jones ]
Parrot Sketch Not Included: Twenty Years of Monty Python (1989)
[ Michael Palin ][ Graham Chapman ][ Terry Jones ]
The Adventures of Baron Munchausen (1988)
[ Robin Williams ][ Jonathan Pryce ][ Oliver Reed ][ Eric Idle ][ Kiran Shah ]
Brazil (1985)
[ Robert De Niro ][ Ian Holm ][ Jonathan Pryce ][ Bob Hoskins ][ Jim Broadbent ]
The Crimson Permanent Assurance (1983)
[ Matt Frewer ]
The Meaning of Life (1983)
[ John Cleese ][ Eric Idle ][ Michael Palin ][ Graham Chapman ][ Matt Frewer ]
Monty Python Live at the Hollywood Bowl (1982)
[ John Cleese ][ Eric Idle ][ Michael Palin ][ Graham Chapman ][ Terry Jones ]
Time Bandits (1981)
[ Sean Connery ][ John Cleese ][ Ian Holm ][ Warwick Davis ][ Jim Broadbent ]
Life of Brian (1979)
[ John Cleese ][ Eric Idle ][ Michael Palin ][ Graham Chapman ][ Terry Jones ]
Jabberwocky (1977)
[ David Prowse ][ Warren Mitchell ]
Monty Python and the Holy Grail (1975)
[ John Cleese ][ Eric Idle ][ Michael Palin ][ Graham Chapman ][ Terry Jones ]
Mr. Neutron (1974)
[ Michael Palin ][ Graham Chapman ][ Terry Jones ]
Hamlet (1974)
[ Michael Palin ][ Graham Chapman ][ Terry Jones ]
Light Entertainment War (1974)
[ Michael Palin ][ Graham Chapman ][ Terry Jones ]
Michael Ellis (1974)
[ Michael Palin ][ Graham Chapman ][ Terry Jones ]
And Now for Something Completely Different (1971)
[ John Cleese ][ Eric Idle ][ Michael Palin ][ Graham Chapman ][ Terry Jones ]
Monty Python's Fliegender Zirkus (1971)
[ John Cleese ][ Eric Idle ][ Michael Palin ][ Graham Chapman ][ Terry Jones ]


  • [Television monitors] They were in Brazil (1985), Twelve Monkeys (1995), The Fisher King (1991), Fear and Loathing in Las Vegas (1998) and Time Bandits (1981).
  • Member of the comedy group "Monty Python" and created the animations.
  • Founding editor of and principal contributor to campus humor magazine, "Fang", at Occidental College in Los Angeles, CA in the early 1960s.
  • He started to direct "The Man Who Killed Don Quixote" in 2001 (in Spain) with Johnny Depp, Vanessa Paradis and Jean Rochefort but the shooting was unfortunately stopped a couple of days after it started because of Jean Rochefort's health problems (he couldn't ride a horse any more). But Terry Gilliam said that he won't give up and that he will try again later because he dreams about making this movie!
  • During the filming of Brazil (1985) he became so stressed that he temporarily lost the use of his legs, which only returned to normal several weeks later.
  • Has taken British citizenship.
  • Father of Amy Gilliam, Holly Gilliam and Harry Gilliam.
  • J.K. Rowling, creator of the "Harry Potter" book series, originally wanted Gilliam to direct _Harry Potter & The Sorcerer's Stone (2001)_ , but Warner Brothers studios wanted a more family friendly film and eventually settled for Chris Columbus.
  • The only American-born member of Monty Python.
  • Turned down the opportunity to direct Who Framed Roger Rabbit (1988), Enemy Mine (1985), and Forrest Gump (1994).
  • Has been off and on to write and direct a movie adaptation of Alan Moore and Dave Gibbons's graphic novel "Watchmen." Gilliam has said he attempted to write an accurate screenplay but it would be unfilmable, but he would consider directing it if it were made into 10 or 12-part cable television series.
  • Was slated to direct an adaptation of the novel "Good Omens" by Neil Gaiman and Terry Pratchett. The project languished in development for three years before finally being abandoned.
  • Directed a series of TV adds for Nike in 2001. They were part of The Scorpion Knockout Campaign, which featured some of the best soccer players on the globe. That campaign went to win a Cannes award in 2002, in the category of Best TV Campaign.
  • Also turned down directing Braveheart (1995), when briefly solicited by Mel Gibson to direct an abandoned film version of Charles Dickens's "A Tale of Two Cities".
  • Member of the jury at the Cannes Film Festival in 2001.
  • Raised in Los Angeles.
  • He did not originally intend to cast Sean Connery as King Agamemnon in Time Bandits (1981), he merely wrote in the screenplay that when Agamemnon took off his helmet that he looked "exactly like Sean Connery." To Gilliam's surprise, the script found its way into Connery's hands and Connery subsequently expressed interest in doing the film.
  • Born in Minnesota, he is the only non-British member of the Monty Python comedy troupe
  • The Fisher King (1991) was the first film that he directed in which he was not involved in writing the screenplay.
  • He and John Cleese are the only members of 'Monty Python' to be nominated for Oscars. Coincidentally, they were both for Best Originaly Screenplay, Gilliam for Brazil(1985) and Cleese for A Fish Called Wanda(1988). Both screenplays did not win their Osacrs, and both films featured Michael Palin.
  • Gave up his US citizenship in early 2006. [source: Haaretz interview, Feb. 2006]

Naked Photos of Terry Gilliam are available at MaleStars.com. They currently feature over 65,000 Nude Pics, Biographies, Video Clips, Articles, and Movie Reviews of famous stars.

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